Catharina’s Saints was commissioned by the Harmonie Sint-Catharina of Kortessem (Belgium) in celebration of its 175th anniversary. The work is a tribute not only to the ensemble’s long-standing tradition, unity, and rich musical heritage, but also to the many volunteers whose dedication and passion make it possible for young musicians to explore, create, and share the joy of music together. The piece opens with a broad and ceremonial theme introduced by the flutes and clarinets. Trumpets and saxophones soon join this motive, enriching its majestic character. The theme gradually develops, supported by a lively and syncopated accompaniment that drives the music forward with energy and purpose. As the theme reaches full expression, it transforms into a joyful and elegant waltz, bringing a lighter and celebratory atmosphere to the music. A spirited 2/4 passage follows, leading into a lively 4/4 section filled with fast-moving, energetic lines. From this lively moment, the music shifts toward a noble and expansive character, returning to the original ceremonial theme. The work concludes with a glorious and triumphant ending, celebrating 175 years of musical tradition, and the enduring joy that music brings to both performers and audience alike.
Wim Bex (1977) is a Belgian bass trombonist and composer whose deep-rooted understanding of orchestral music and imaginative voice make his works a pleasure to perform and hear. Since the beginning of his musical journey in 2008, he has quickly gained recognition for his craftsmanship, expressiveness, and instrumental insight. As a professional bass trombonist, Wim has performed with every major symphony orchestra in Belgium, as well as with leading brass bands, big bands, and chamber ensembles. His performance experience directly informs his compositional style, resulting in music that is both idiomatic and artistically engaging. His debut composition, Vademecum for Bass Trombone, was an immediate success. Showcasing his intimate knowledge of the instrument and innate compositional talent, the work has been performed by numerous international trombonists and is now considered part of the standard repertoire. Building on this success, Wim has written compelling solo pieces for trumpet, euphonium, bass tuba, and other instruments. A self-taught composer, Wim approaches each rehearsal and performance as a learning opportunity, honing his skills by listening deeply. His passion for music resonates through every piece he writes, offering performers and audiences alike a truly rewarding musical experience.
