The original idea for The Eagle’s Flight was inspired by a video in which a camera was placed above the head of an eagle. The footage offers a rare and impressive perspective of this majestic bird as it flies and glides effortlessly through the air. The work was composed for Glenn Van Looy (euphonium solo) and brass quintet. Later versions followed for concert band (CD recording with the Royal Band of the Belgian Air Force) and brass band, with which the Valaisia Brass Band participated in the World Music Competition in Kerkrade in 2022 and won the soloist prize. The journey begins with just three wing beats to full flight, captured in the asymmetrical pulse of a single 5/8 measure. From this initial impulse, the eagle rises, carried by powerful currents, gliding between towering mountain peaks and vast landscapes far below. Throughout the work, intense flapping moments alternate with passages of broad reflection, wings spread wide. The middle section takes place at dusk and night, when the eagle returns to its nest — driven not by conquest but by a purpose: to protect, provide food and dream of a future for the newborn chicks. The eagle embodies strength, focus and unwavering determination. It stands for truth, integrity and the courage to choose the higher path. The Eagle’s Flight is both a musical journey through the air and a reminder of the ideals that lift us above the ordinary.
Wim Bex (1977) is a Belgian bass trombonist and composer whose deep-rooted understanding of orchestral music and imaginative voice make his works a pleasure to perform and hear. Since the beginning of his musical journey in 2008, he has quickly gained recognition for its craftsmanship, expressiveness, and instrumental insight. As a professional bass trombonist, Wim has performed with every major symphony orchestra in Belgium, as well as with leading brass bands, big bands, and chamber ensembles. His performance experience directly informs his compositional style, resulting in music that is both idiomatic and artistically engaging. His debut composition, Vademecum for Bass Trombone, was an immediate success. Showcasing his intimate knowledge of the instrument and innate compositional talent, the work has been performed by numerous international trombonists and is now considered part of the standard repertoire. Building on this success, Wim has since written compelling solo pieces for trumpet, euphonium, bass tuba, and other instruments. A self-taught composer, Wim approaches each rehearsal and performance as a learning opportunity, honing his skills by listening deeply—his most trusted tools are his ears. His passion for music resonates through every piece he writes, offering performers and audiences alike a truly rewarding musical experience.
